Seminar # 5 Kinetic fiction

 

Summarizing

Kinetic poems, also known as interactive or digital poems, are a fascinating form of poetry that utilize technology to create an interactive and dynamic experience for the reader or viewer. There are several types of kinetic poems, each with its own unique characteristics and approaches.

The difference between kinetic poems lies in their specific design, intended experience, and the use of different technologies and artistic techniques. Some kinetic poems may focus more on visual aesthetics and motion, while others emphasize interactivity and user engagement. The overall impact and interpretation of a kinetic poem can vary greatly depending on its specific design choices.

Kinetic poems often aim to merge traditional poetry with contemporary technology, creating a unique fusion of art forms. By leveraging dynamic and interactive elements, kinetic poems can offer a new way to experience and engage with poetry, appealing to a broader audience and expanding the possibilities of poetic expression.

Examples of kinetic poems can be found in various online platforms and digital art galleries, showcasing the creativity and innovation of artists and poets working in this medium. Exploring and experiencing different types of kinetic poems can provide a deeper understanding of the possibilities and potential of this dynamic form of artistic expression.

In the ”Faith” we can find all three levels of entax:

• Micro-entax (morphology), which deals with the morpheme;

• Meso-entax (semantic) which deals with the lexeme;

• Macro-entax (pragmatic) which deals with the sentence in its context.

Щеголев Максим POM - 21

Seminar # 4 Hypertext and hypermedia fiction

 

Seminar # 3 Electronic generative fiction

 

Summarizing

Scott Rettberg's generator "The Frequency" utilizes different constraints to generate its poems. These constraints determine the syllabic forms and rhyme schemes that are employed.

1. Syllabic forms: "The Frequency" utilizes syllabic constraints, which focus on the number of syllables used in each line or stanza. Rettberg explores various syllabic structures to shape the poems. For example:

    1. What is a hundred      (6 syllables)

    2. years to a mind       (5 syllables)

    3. that reads paper      (6 syllables)

    4. ephemeral as shelf    (7 syllables)

Or:

    1. Like your dropped     (4 syllables)

    2. new dollar                   (4 syllables)

    3. mountains that sink    (6 syllables)

    4. with each swing          (5 syllables)

These examples illustrate how Rettberg plays with syllable counts to create rhythmic patterns and control the flow of the poems.

2. Rhyme schemes: "The Frequency" also incorporates rhyme schemes, adding a melodic quality to the generated poems. Here are a couple of examples of rhyme schemes from "The Frequency":

For example:

    Stanza 1:

    1. Is there a disguise   (A)

    2. in aching glass        (B)

    3. slippers, a passage (A)

    Stanza 2:

    4. to a different life?    (A)

    5. In every ending,        (B)

    6. is there an epigraph (A)

Or:

    1. correo de historia   (A)

    2. la sal                 (B)

    3. con salsa verde.    (A)

    4. corona                (B)

    5. cenizo sin queso. (A)

These examples demonstrate different rhyme schemes, denoted by letters. The patterns vary, such as AABB, ABAB, or AAA, providing distinct tonal and rhythmic effects.

Extending

The Frequency Project, inspired by Oulipo's constraints, aims to create a cohesive narrative through constrained writing. It includes a poetry generator and a forthcoming novel. The novel incorporates Flickr tags and Creative Commons licensed photos, alongside a sequence of commonly used English words.

Key aspects of The Frequency Project:

1. Coherent narrative through constrained writing.

2. Hypertext format for multiple reading experiences.

3. Exploring the idea of collective consciousness reflected in the text.

4. Creative Commons licensing, encouraging remixing of the work.

5. Integration of separate yet related poetry project.

6. Atomistic fiction, combining distinct narrative moments.

7. Adaptability to different platforms, including blogs, poetry generator, hypertext, and print books.

8. Anticipated release of the first part of the novel at e-Poetry festival in Barcelona.

Щеголев Максим POM 21

The Frequency Project, by Scott Rettberg, is a collaborative literary experiment that explores the possibilities of writing within digital networks. The main principles of this project can be summarized as follows:

1.    Collective creation: The Frequency Project emphasizes collaboration and collective creation.

2.    Distributed authorship: The project challenges the traditional concept of authorship by allowing multiple authors to contribute to a single work.

3.    Open access: The Frequency Project is open to anyone with internet access.

4.    Networked writing: The project explores the unique possibilities of writing in a networked environment.

5.    Experiments with form: The Frequency Project encourages writers to experiment with different forms, structures, and genres.

6.    Iterative development: The project follows an iterative development process, where each new contribution builds upon the work that came before it.

7.    Reader participation: The Frequency Project encourages reader participation and engagement.

8.    Reflection on digital culture: Through its exploration of the possibilities of writing within digital networks, the Frequency Project prompts reflection on the role of technology, digital culture, and the internet in shaping contemporary literature.

The main idea of the Frequency Project by Scott Rettberg is to explore the possibilities of collaborative writing in a networked digital environment. It aims to challenge traditional notions of authorship and create a space for collective creation and participation. The project seeks to embrace diversity, experimentation, and openness by inviting writers from different backgrounds to contribute to a single work. It also reflects on the impact of technology and digital culture on contemporary literature, prompting reflection and engagement from both writers and readers.

By  Agulyarnaya Milena POM-21

What are the main principles of the Frequency generator?

The main principles of the Frequency generator are:

1. Constrained writing. The generator is part of a larger constrained writing project inspired by the Oulipo. It uses various constraints to develop poetry and fiction.

2. Coherent narrative. Despite the obvious constraints, the generator aims to produce a coherent narrative in its generated poems.

3. Hypertext structure. The generator is designed to deliver multiple fragmentary but coherent reading experiences in multiple reading sessions.

4. Collective (un)consciousness. The text derived from commonly used English words and popular tags in order to reflect a collective consciousness or lack of it.

5. Creative Commons fiction. The entire project will be released under a Creative Commons non-commercial attribution license. This allows for remixing and encourages others to engage with the work.

7. Multi-platform delivery. The work is intended to be delivered in different ways and on different platforms.

The main idea of the project:

The main idea of the Frequency Project is to explore constrained writing practices by creating a coherent narrative using various constraints. It also explores the concept of collective consciousness by incorporating commonly used words and tags from photographs.

 By Stenina S., POm-21

Seminar # 2 Digital environment properties &Electronic literary text features

 

by Agulyarnaya Milena POM-21

Interpreter Initiative: Many early works of electronic literature created in extinct hardware or software systems can best be preserved by programming interpreters (and/or emulators) that run the works on new computers "as if" they were in their original environment. It’s proposed to develop open source interpreters to "run" important or populous categories of e-lit so as speedily to restore large numbers of older works to readable status. Secondary priorities include the development of additional interpreters (including high-priority but technically challenging ones), assisting open-source communities working on relevant emulators, and creating supporting documents and services for software interpreters.

Щеголев Максим POM-21

The strategy for migration - to interpret or emulate electronic literature.

Since there are early works of electronic literature that were created in extinct hardware or software systems, they can be preserved by programming interpreters that represent the works on “new computers "as if" they were in their original environment”.

The strategies for interpreting or emulating electronic literature include:

1)     "per-work" techniques (porting and reimplementing). Porting involves converting the source code of an electronic literature work. Reimplementing involves writing a new program that does the same thing as the original program.

2)     per-category" techniques (interpreting and emulating proper). Interpreting is the approach of developing a free, open source interpreter that applies to those works that run in an interpreter of some sort. The benefits of this approach are that the number of works per interpreter approaches one. Emulating proper is the approach that deals with the development of an emulator -  a program that effectively implements a hardware computer in software.

by Ukolova A., POm-21

One strategy for migration is to interpret or emulate electronic literature so that works now difficult or impossible to read can be experienced once more in a form as functionally like the original as possible.

These strategies may be grouped under the rubrics of "per-work" techniques (porting and reimplementing) and "per-category" techniques (interpreting and emulating proper), where the former method targets individual works and the latter classes of works.

Pre-work:

Porting works directly - Porting involves converting the source code of an electronic literature work

Reimplementing involves writing a new program that does the same thing as the original program/

The highest priority is to develop a set of open source (GNU GPL, "General Public License") interpreters for important kinds of electronic literature. (Assisting open source communities in creating emulators is also important, but a lesser priority.) Such a development effort will have the benefit of a near-term payoff that will immediately make accessible a large number of important early e-lit works. Front loading development in this way will be important in winning acceptance for e-lit preservation efforts among stakeholder communities and funding organizations 

by Ivleva A. POM-21

Seminar # 1 Defining electronic literary text, structural issues

 There are a lot of definitions of electronic literature. Let’s try to invent your own one. See the Test Task section, and do the Mind Map task on you own (follow the instructions).

by Kormich D. POM -21

by Agulyarnaya Milena POM - 21

by Senina S. POM - 21

My Twine story :)

Модуль 5. Задания на classtools