Using your Mind Map software make the mind map of the kinetic poem conception.What is the operative principle of kinetic poems? Explain it using the Faith example. What are the main types of kinetic poems?
Using your Mind Map software make the mind map of the kinetic poem conception.What is the operative principle of kinetic poems? Explain it using the Faith example. What are the main types of kinetic poems?
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ОтветитьУдалитьPart 1: Summarizing
ОтветитьУдалитьRobert Kendall’s digital poem Faith exemplifies a pioneering exploration of interactivity, multimedia, and poetic expression in the realm of electronic literature. Through its design and execution, Faith demonstrates three distinct levels of entax that contribute to its layered meaning and dynamic experience: verbal, visual, and behavioral. Additionally, different versions of Faith—interactive online, static descriptive, and archived—provide varied approaches to engaging with the work, each with its strengths and limitations.
Three levels of entax
1. Verbal entax
The verbal entax of Faith reflects the traditional poetic structure, focusing on word choice and the arrangement of phrases to convey thematic elements. The poem explores concepts like logic, faith, and doubt, which unfold through carefully chosen words. As the text progresses, readers encounter these ideas both as isolated phrases and as interconnected meanings. The verbal layer serves as the foundation of the poem, anchoring its message in language while allowing room for interpretation.
2. Visual entax
The visual entaxis a defining feature of Faith, showcasing how digital literature transcends static text. The movement of words across the screen, their shifting colors, and the strategic positioning of elements all contribute to the poem’s visual impact. For example, the word "doubt" may quiver or move erratically, visually symbolizing its instability, while "logic" is displayed in a more rigid and structured manner. These visual choices add depth to the verbal layer, aligning the form with the content.
3. Behavioral entax
The behavioral entax emerges from the interactivity between the reader and the poem. In Faith, the reader plays an active role, clicking through to reveal new words and animations. This interaction mirrors the thematic journey from doubt to belief, with the reader’s engagement symbolizing a personal progression. By integrating reader agency, Kendall invites participants to construct meaning collaboratively, turning the poem into a shared experience rather than a static artifact.
Versions
1. Online interactive version
The most iconic and widely recognized version of Faith is its interactive online format, which utilizes animations, sound, and reader engagement to convey its themes. This version is hosted on platforms like the Electronic Literature Collection and allows readers to experience its dynamic elements directly. The kinetic nature of this version is integral to its meaning, as the movement and interactivity are inseparable from the poem’s message.
2. Static or descriptive representations
Static representations of Faith are often found in academic studies and literary analyses, where the poem’s interactive features are described rather than experienced. These versions focus on summarizing the visual and behavioral aspects, allowing readers to grasp the core ideas without engaging with the poem’s multimedia elements.
3. Archived or offline versions
Archived versions, such as those included in curated collections like Electronic Literature Collection Volume 1, offer a middle ground by preserving the poem in downloadable formats. While these versions may retain some interactive elements, they often require specific software or plugins, limiting accessibility compared to the online version.
(Rotova Kira)
Differences between versions
УдалитьThe various versions of Faith offer distinct experiences based on their level of interactivity and technological requirements. The online version stands out for its full integration of multimedia, providing readers with an immersive encounter that ties the poem’s themes to its form. In contrast, static descriptions strip away the multimedia and behavioral layers, reducing the poem to its verbal syntax but making it accessible for analysis. Archived versions attempt to bridge the gap but may face limitations in replicating the seamless experience of the original online format.
Each version offers unique insights into Kendall’s work, but the online interactive version remains the most faithful to the poet’s intent, as it fully embraces the possibilities of digital literature to engage readers on verbal, visual, and behavioral levels. This layered approach exemplifies how digital poetry pushes the boundaries of traditional poetic expression, demonstrating the evolving interplay between technology, creativity, and reader participation.
Part 2: Extending
Kinetic poetry is a digital poetic form that uses movement, animation, and interactivity to enhance the interpretive and emotional dimensions of text. Unlike traditional static poetry, where meaning emerges solely from the arrangement of words and literary devices, kinetic poems rely on the dynamic behavior of the text on-screen. The principle underlying kinetic poetry is the integration of motion into the presentation of text to mirror or amplify the poem’s themes and emotional resonance. Robert Kendall’s digital poem Faith serves as a prime example, employing animation and interactivity to explore the philosophical struggle between doubt and belief.
The Operative Principle
The operative principle of kinetic poetry is rooted in the intentional animation of text to reinforce meaning. In Faith, Kendall uses the movement of words such as “faith,” “doubt,” and “logic” to embody their abstract concepts. For instance, the erratic motion of “doubt” symbolizes instability and uncertainty, visually dramatizing its semantic meaning. This fusion of content and form creates a multi-sensory experience, where the way text behaves complements its linguistic meaning.
In addition to motion, Faith uses temporal progression to reflect the human experience of grappling with conflicting ideas. The poem unfolds in stages, requiring the reader to interact by clicking, which triggers new animations and textual elements. This interaction mirrors the intellectual and emotional engagement involved in reconciling doubt with faith, immersing the reader in a process that parallels the poem’s thematic focus.
Thank you, Kira!
УдалитьSeminar 5 Kinetic fiction
ОтветитьУдалитьSummarizing:
There are 3 levels of entax in Faith:
1. Micro-entax (morphology)
Text blocks, different fonts, letters and typographic signs in lines. In Faith, we can see that various words appear and appear on the screen. They are made of previously made words. They vary in colours, fonts and size. New words are created from those which were previously on screen. For example, deep --> deeper; or --> world.
2. Meso-entax (semantic)
It is revealed through the structure of the story or in different words and their variations. For example, bend (verb) --> (noun); at the top of the page all the time except for the end of the story there is the word Faith
the graphic structure of the entire document.
3. Macro-entax (pragmatic)
We can observe it in the graphic and visual structure of the document. For example, the font implies the opposition. The word Faith is ornate, while logic is written in a simple way. The opposition described in the poem and presented by the fonts is reversed by the end, however, when the framework of logic accumulates so much that the poem falls into a mess on the floor, and the ornate faith descends slowly in simplicity, "just to sum up".
There are only two versions of Faith:
1. with music,
2. without music.
As for the texts, there is no difference between them.
Extending:
Kinetc is the word which implies movement. That is why, this type of poems incorporate movement and visual elements to enhance the reader's experience. There is always the interplay between text, movement, and the reader's engagement. It is the operative principle of kinetic poems.
As we can see, there is a notable example – "Faith" by Kendall R. In this kinetic poem, the text is presented in a way that visually represents the concept of faith, using movement to convey the emotional weight of the words. There are different colours and fonts which are parts of that “performance” of words which together build the text. “Faith” is a sample for us how movement can transform poetry from a static experience into a dynamic exploration of themes and emotions. Through this engagement, kinetic poetry expands the boundaries of traditional poetry, inviting readers to explore language in innovative ways.
There are several main types of kinetic poems.
- Visual kinetic poems are the combinations of visual art with poetry and a multi-dimensional experience. The visual elements complement the text, often using colors, shapes, and patterns to convey additional layers of meaning.
- Digital kinetic poems are specifically for digital platforms with incorporation of multimedia elements like sound, animation, and video for more complex and engaging presentations of the poetic text.
- Concrete poetry is focused on the visual arrangement of words to create a shape which can be a reflection of the poem’s subject.
- Performance kinetic poems presuppose that the poet may incorporate movement, gestures, and vocal delivery to bring the poem to life. There is a layer of interpretation and connection with the audience.
Each of these types utilizes the principle of movement to deepen the reader's understanding and connection to the text.
by Savina Anastasia Pom-31