Look
through the Being @SpencerPratt by Mark Marino and Rob
Wittig; identify the main structural elements of it.
Being
Spencer Pratt is a networked improvised tale, or #netprov. All in all, it was a
four-week joint project including Spencer Pratt, Heidi Montag, Mark C. Marino,
and Rob Wittig. The latter two used Pratt's Twitter account to write under the
pretense of a purportedly lost British poet who had located Pratt's phone. In
addition, Spencer Pratt's over a million Twitter followers were participating,
as the "poet" extended invitations to engage in poetry-related
activities and general conversation.
The main
page of the website includes the story behind the work, biography of authors,
the main description of the project, its archive possible to be downloaded, and
the main pages of the project. Reality: Being @spencerpratt started when
reality TV star Spencer Pratt, who had around a million followers on Twitter,
consented to let Mark Marino and Rob Wittig handle his account. Through his
tweets, they recounted the tale of a struggling poet who finds the star's
lost—or maybe stolen—cell phone and uses it as a platform to promote poetry.
Pratt's fan following was abruptly enmeshed in a world of Oulipian games and
early modern English poetry, not knowing if this was real or made up.
The poet,
known by some of his fans as "Tempspence" (temporary Spencer),
engaged in poetry games with Spencer's supporters, according to the official
website. the archive of tweets from the whole history, along with an
explanation of the games that users and followers have played within tweets.
The one thing all of these shows had in common, apart from the rationale behind
the project's rise—the comparison to reality TV shows—was that they were
meticulously planned and strategically executed, deftly edited, and, in certain
situations, even written by their creators. When compared to conventional
written plays, the spontaneous, documentary feel that gave the impression of
authenticity was a fiction.
Summarizing:
What is the
organizational structure of netprov?
Threshold
definition: A work must be at least somewhat improvised, begin in real time,
and parody popular media in order to qualify as netprov.
The
"inner circle" of writers and actors that make up Netprov's organizational
structure include "outer circle" those who were invited and "in on
the joke from the beginning" players, readers, or participants who are not
part of the inner circle. The inner ring functions as a show (play, improv
theater, cabaret, or television series in installments); the outer circle
functions similar to a game in which everybody may play.
Does the
netprov genre use multiple media?
Netprov
employs a transmedia storytelling strategy that combines the usage of several
vernacular media at once. (Vernacular media are widely available, commonly used
communication tools that don't require specialized expertise.) The output of
Netprov can be collaborative and take reader participation into account. It
might be when it's released, read as a live performance; alternatively, read at
a later time as a fixed store. Breaking news items may be included in projects
during the performance. Netprov Models or actors may be used in projects to
physically portray characters in pictures and films, and live demonstration.
Some authors and performers choose to play the characters they write. For
Netprov initiatives, readers may need to go to specific places in order to find
information, carry out actions, and document their endeavors. While the show
was going on, Netprov is meant to be read throughout the day in short bursts.
If so, in
what way?
Whether or
whether the medium is regarded as "literary," netprov projects are
created in the prevalent everyday computational writing and reading media of
the moment. Netprov projects can be constructed in a "transmedia"
manner across numerous, simultaneous, non-duplicating media. For instance, the
same character might have distinct, yet cohesive, texts evolving throughout
their Facebook page, Twitter account, and web page.
This
implies that a wide range of real-world online behaviors, as well as those in
social media and personal media (such as texting, emailing, and phone calls),
are also utilized as formal sources and models for netprov. These include:
mainstream media, corporate and governmental communications of all types;
informal personal blogs, websites, podcasts, and videocasts; text messages and
Twitter tweets; and informal personal blogs, websites, and podcasts; cooperative
gathering locations; as well as cooperative creative websites.
Extending:
What is the
concept of the performance part of the Being @SpencerPratt by Mark Marino and Rob
Wittig?
The concept of this Twitter fiction netprov is rather straightforward:
while filming Celebrity Big Brother in London, reality star Spencer Pratt
misplaced his smartphone. Later, a struggling poet discovered it and started
using it creatively to promote poetry. With this piece, the writers expand
their creative investigation of social media identities by
"occupying" a celebrity account (permission granted) and use it as a
platform for a performance that initially draws a sizable crowd.
The main tale is with audience trust dynamics when they are
unintentionally lured into what is actually an activist activity, in addition
to the entertaining poetry games and captivating narrative arc. It is important
to note that @SpencerPratt got an increasing number of nasty comments
throughout the performance (based on several tweets referencing this),
especially when the “truth” about the “person” posting on the Twitter account
became apparent. This is an important part of the performance since the followers'
faith in the account—which was validated, no less—had been misplaced. The fact
that Marino and Wittig were able to win back the audience's trust by
"coming clean" is a credit to their artistic skill.
This is known as "netprov," a newly-emerging genre of
performance art in which several individuals engage to construct a shared story
mostly on social media networks. Netprov, sometimes referred to as Internet
improv, is a real-time, collaborative, networked storytelling form.
The purpose of this project was to raise issues around identification and
authenticity on social media platforms, as well as how credulous people may be
when they don't know the real story behind the person appearing on TV, whether
or not they is a star.
What are
the elements of archived part of the Being @SpencerPratt by Mark Marino and Rob
Wittig?
The original
website of this netprov allows its readers not only see the story in an online
format, but also download the archive with the main parts of the work, there
are structured and named tweets collected together, the pdf-version with all of
the tweets together, and the links to the main domains with the work’s
structural parts. This archive allows the reader to experience the artwork in
various forms, and feel the authenticity by the presentation of the structural
elements and design as well.
by Belova S. POm-21
"Being @SpencerPratt" by Mark Marino and Rob
Wittig is a work of electronic literature that combines narrative, social
media, and interactive elements. The main structural elements of the work can
be identified as follows:
1. Social Media Format. The work takes the form of a
Twitter feed, emulating the structure and functionality of a social media
platform. The narrative unfolds through a series of tweets, with each
"tweet" representing a fragment of the story.
2. Multimedia Integration. The tweets in "Being
@SpencerPratt" often include multimedia elements such as images, videos,
or hyperlinks. These multimedia elements enrich the narrative experience by
providing additional context, visual representation, or external references to
other online content.
3. Interactive Storytelling. The reader is invited to
actively engage with the work by interacting with the tweets. The interactive
elements can include options for the reader to make choices or influence the
direction of the narrative. These interactions allow for multiple paths and
outcomes, creating a non-linear reading experience.
4. Serial Storytelling. The narrative unfolds over
time as new tweets are periodically added to the feed, creating a sense of
ongoing story development. This serialization mirrors the real-time nature of
social media platforms and encourages readers to keep up with the updates to
follow the narrative progression.
5. Fragmented Narrative. The tweets are presented in a
fragmented style, often with disjointed or incomplete sentences, reflecting the
brevity and character limit inherent to Twitter. This fragmented narrative
style challenges traditional linear storytelling and encourages readers to
construct meaning from the scattered pieces of information.
6. Metafictional Elements. "Being
@SpencerPratt" incorporates metafictional elements, blurring the
boundaries between reality and fiction. The work plays with the persona of
Spencer Pratt, a real-life figure, and blurs that persona with fictional
elements, creating an intriguing mix of authenticity and fabrication.
These structural elements combine to create a unique
reading experience that engages readers through interactive, social
media-inspired storytelling. By integrating multimedia, allowing reader
interaction, and embracing the format of Twitter, "Being
@SpencerPratt" pushes the boundaries of traditional narrative and explores
the possibilities of electronic literature.
Summarizing
What is the organizational structure of netprov? Does
the netprov genre use multiple media? If so, in what way?
Netprov often blurs the boundaries between reality and
fiction, engaging participants in a collective narrative creation. While the
specific organizational structure of netprov can vary depending on the project,
there are some common elements and characteristics.
1. Collaborative Storytelling. Netprov typically
involves a collective storytelling process where multiple participants
contribute to the ongoing narrative. Participants can collaborate through
various digital mediums such as social media, email, or online forums, working
together to shape the outcome of the story.
2. Real-Time Interaction. Netprov often unfolds in
real-time, allowing participants to directly engage and respond to each other's
contributions. This dynamic interaction adds an element of spontaneity and
improvisation, with the story evolving through the interplay of participants'
actions and responses.
3. Distributed Authorship. In netprov, authorship is
distributed among the participants, blurring the lines between creators and
consumers of the narrative. Each participant becomes an active participant in
the co-creation of the story, contributing to plot development, character interactions,
and even world-building.
4. Use of Multiple Media. Yes, the netprov genre
frequently uses multiple media to enhance the storytelling experience. Netprov
projects can incorporate various forms of media, including but not limited to
text, images, audio, video, and even live performances. The combination of
different media elements enriches the narrative and provides participants with
diverse ways to engage with the story.
5. Blurring of Reality and Fiction. Netprov often
blurs the boundaries between reality and fiction, challenging traditional
notions of storytelling. Characters and events in netprov may intersect with
real-life contexts, incorporating recognizable places, people, and contemporary
events. This blurring enhances the immersive nature of the narrative, creating
a sense of alternate realities or hyper-realities.
Overall, the organizational structure of netprov is
characterized by collaborative storytelling, real-time interaction, distributed
authorship, and the use of multiple media forms. Through these elements,
netprov fosters collective creativity and encourages participants to actively
engage and shape the narrative in a dynamic and evolving manner.
