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Seminar # 3 Electronic generative fiction
Summarizing
Scott Rettberg's
generator "The Frequency" utilizes different constraints to generate
its poems. These constraints determine the syllabic forms and rhyme schemes
that are employed.
1. Syllabic forms:
"The Frequency" utilizes syllabic constraints, which focus on the
number of syllables used in each line or stanza. Rettberg explores various
syllabic structures to shape the poems. For example:
1. What is a hundred (6 syllables)
2. years to a mind (5 syllables)
3. that reads paper (6 syllables)
4. ephemeral as shelf (7 syllables)
Or:
1. Like your dropped (4 syllables)
2. new dollar (4 syllables)
3. mountains that sink (6
syllables)
4. with each swing (5 syllables)
These examples illustrate
how Rettberg plays with syllable counts to create rhythmic patterns and control
the flow of the poems.
2. Rhyme schemes:
"The Frequency" also incorporates rhyme schemes, adding a melodic
quality to the generated poems. Here are a couple of examples of rhyme schemes
from "The Frequency":
For example:
Stanza 1:
1. Is there a disguise (A)
2. in aching glass (B)
3. slippers, a passage (A)
Stanza 2:
4. to a different life? (A)
5. In every ending, (B)
6. is there an epigraph (A)
Or:
1. correo de historia (A)
2. la sal (B)
3. con salsa verde. (A)
4. corona (B)
5. cenizo sin queso. (A)
These examples
demonstrate different rhyme schemes, denoted by letters. The patterns vary,
such as AABB, ABAB, or AAA, providing distinct tonal and rhythmic effects.
Extending
The Frequency Project,
inspired by Oulipo's constraints, aims to create a cohesive narrative through
constrained writing. It includes a poetry generator and a forthcoming novel.
The novel incorporates Flickr tags and Creative Commons licensed photos, alongside
a sequence of commonly used English words.
Key aspects of The
Frequency Project:
1. Coherent narrative
through constrained writing.
2. Hypertext format for
multiple reading experiences.
3. Exploring the idea of
collective consciousness reflected in the text.
4. Creative Commons
licensing, encouraging remixing of the work.
5. Integration of
separate yet related poetry project.
6. Atomistic fiction,
combining distinct narrative moments.
7. Adaptability to
different platforms, including blogs, poetry generator, hypertext, and print
books.
8. Anticipated release of the first part of the novel at e-Poetry festival in Barcelona.
Щеголев Максим POM 21
The Frequency Project, by Scott Rettberg, is a
collaborative literary experiment that explores the possibilities of writing
within digital networks. The main principles of this project can be summarized
as follows:
1.
Collective creation: The Frequency Project
emphasizes collaboration and collective creation.
2.
Distributed authorship: The project challenges the
traditional concept of authorship by allowing multiple authors to contribute to
a single work.
3.
Open access: The Frequency Project is
open to anyone with internet access.
4.
Networked writing: The project explores the
unique possibilities of writing in a networked environment.
5.
Experiments with form: The Frequency Project
encourages writers to experiment with different forms, structures, and genres.
6.
Iterative development: The project follows an
iterative development process, where each new contribution builds upon the work
that came before it.
7.
Reader participation: The Frequency Project
encourages reader participation and engagement.
8.
Reflection on digital culture: Through its exploration of
the possibilities of writing within digital networks, the Frequency Project
prompts reflection on the role of technology, digital culture, and the internet
in shaping contemporary literature.
The main idea of the Frequency Project by
Scott Rettberg is to explore the possibilities of collaborative writing in a
networked digital environment. It aims to challenge traditional notions of
authorship and create a space for collective creation and participation. The
project seeks to embrace diversity, experimentation, and openness by inviting
writers from different backgrounds to contribute to a single work. It also
reflects on the impact of technology and digital culture on contemporary
literature, prompting reflection and engagement from both writers and readers.
By Agulyarnaya Milena POM-21
What
are the main principles of the Frequency generator?
The
main principles of the Frequency generator are:
1. Constrained writing. The generator is part of a larger
constrained writing project inspired by the Oulipo. It uses various constraints to develop
poetry and fiction.
2. Coherent narrative. Despite the obvious constraints, the
generator aims to produce a coherent narrative in its generated poems.
3. Hypertext structure. The generator is designed to deliver
multiple fragmentary but coherent reading experiences in multiple reading
sessions.
4. Collective (un)consciousness. The text derived from commonly used
English words and popular tags in order
to reflect a collective consciousness or lack of it.
5. Creative Commons fiction. The entire project will be released under a Creative Commons
non-commercial attribution license. This allows for remixing and encourages
others to engage with the work.
7. Multi-platform delivery. The work is intended to be delivered in
different ways and on different platforms.
The main idea of the project:
The main
idea of the Frequency Project is to explore constrained writing practices by creating
a coherent narrative using various constraints. It also explores the concept of
collective consciousness by incorporating commonly used words and tags from
photographs.
By Stenina S., POm-21